Author Archives: Kate Katharina

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About Kate Katharina

Kate Katharina wltm people with stories for literary fling and maybe more.

Katekatharina’s Blog is one year old today!

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Today Katekatharina’s Blog is one year old. To celebrate I am working late and going to my Arabic class. In my head though, I’m in a hammock clutching a yellow balloon with “Happy First Birthday” written on it in Comic Sans.

Blogging is terribly fun and at first it was terribly hard to keep up. I set up at least three different blogs on various sites before sticking with this one. WordPress’ format is foolproof. Believe me, I have tested it. It’s easy to use and it makes the things you write look quite pretty. The photographs you upload know intuitively where they should land and in what size they should appear. Critics say all our sites look the same: I say: “but look at the selection of themes we can choose from!”

This time a year ago, I was in the same bed I’m typing from now but in a different place. Then an indefinite void lay ahead of me whereas now I have an -albeit dangerously short-term- plan worked out.

Birthday Rainbow from Dublin Contemporary


The best bit about blogging is when someone reads what you’ve written. That’s why people write on the internet. It’s not like a diary, where you reveal your innermost thoughts but it’s confessional all the same and looking back over a year’s worth of entries, I guess I can see some characteristic themes emerging.

I seem to write a lot about things I see. For me, images form an easier structure than the course of events. I think that’s why I favour feature writing over news reporting. I seem to like write a lot about language and quite a bit about LSB too. These are two of my favourite things I guess. My tone has become less formal in the last year too. My aspirations of maintaining a crisp and detached tone were tempered by the realisation that even very serious journalists enjoy copious use of the personal pronoun.

The most popular blog posts are not the ones that I have sweated over. They are the ones which were fastest to write and which were “tagged” with terms that searchengines were a fan of that day. I get a lot of referrals to a post I wrote about the closure of Waterstone’s Bookshop last February, a piece about brain plasticity, LSB’s Valentine Day surprise and my Confessions of a teacher. It is a great pleasure to skim the search terms upon which people are referred to my site. As I told you last week, a disproportionate amount of my hits come from people googling images of snails and phrases like “inappropriate teacher-pupil relationship”

I have a wonderful friend who lives in Bayreuth in Germany. Really, she’s my mum’s friend but I have applied for joint custody because I like her very much. She sent me an e-mail last week to let me know that she occasionally reads my blog. And on the same day, a boy I’ve never met dropped me a line from where he was too. We’d connected over our blogs a year ago only to discover we graduated from the same college in the same year and both wanted to get into writing. Things that like can transform your day.

Ironically, my first blog post was titled “A last resort” and was in fact taken from a column I had in Trinity College’s The University Times (then The Record). You can check it out here.

Happy Birthday to my wonderful readers, especially to you that has googled ‘snail’ again. Thank you so much for all your comments! Have a slice of cake sometime today for me. And please, let me know what you’d like to see on Katekatharina’s blog before she turns two. Got a challenge for me? Something you think I should investigate? Try out? Get over? Let me know.

Dundrum shoppers stunned by voices of Messiah

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Shoppers in Dundrum Town Centre in south Dublin were surprised this morning by a large-scale and apparently spontaneous choral performance of the Hallelujah chorus from Handel’s Messiah. The twenty choirs which took part were positioned on three levels around the shopping centre with the conductor stationed on the top floor outside Frangos foodstore. The flashmob-style event occured at 12.40 pm and marked the culmination of RTE’s Big Music week. Aproximately 400 singers took part and were applauded by customers keen to join in the fun.

Are schooldays the best days of your life?

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I wrote this piece 10 months ago, when I was still unemployed and feeling rather nostalgic about the time I spent at school. Luckily I’m now working fulltime and the prospect of writing “The Toilet Wall” for a living is that little bit closer than ever before.


The Fruits of Literature

“Imagine that you have found the most delicious-looking plums on your kitchen table”, Niall Mac Monagle began, in media res on the occasion of my very first English class. “You gobbled them up” he continued, “and now you must write a note to the rest of your family apologising for what you have done”. Luminous sheets of card fluttered onto our desks and twenty -six young fountain pens began to scrawl lines of contrition. “Time up”, yelled MacMonagle. “What have you, Ms Flaherty?” A scoff. “Erm.. Sorry I ate the plums”. MacMonagle beamed. “Excellent!” Then silence, then a poem. I have been hooked on language ever since, and were it not for the brilliance of this man, I would have neither studied English literature at university nor considered writing for life. I am imagining his humble cheeks turn rose petal pink upon reading this, and it gives me pleasure.

Emancipation or “On Covering the Calves”

The fight for girls to wear trousers was won in the summer of 2001, when I was thirteen and about to enter my second year at Wesley College. Clutching the uniform list triumphantly, I dragged my mother to Rita’s uniform shop in the ‘old’ Dundrum shopping centre, and we purchased a pair of over-sized, shapeless navy slacks, which I am waiting patiently to grow into, ten years and several hundred cupcakes later. The design was so ghastly that I was the only girl in the year to condescend to wear the garment and even at that, my resolve faded with the advent of spring.

A Changing World

I have the young and kindly music teacher, Mr Gifford to thank for my introduction to google. One afternoon in the computer room in the library, while my friend and I were typing up our entirely fabricated research project on Simon and Garfunkel, he bent his head tentatively between us and whispered, “There is a great new way to find information. It is called Google”. A rather silly name, I thought. Hardly one that will catch on.

I remember returning to my locker at 4 o’clock on September 11, 2001 and coming across a geeky classmate in a state of excitement. He was pounding his fists together to describe the trajectory of a plane’s crash into a skyscraper. I thought he was talking about a computer-game. Later, on the 48A bus home a lady spoke into her mobile phone, “who knows what will happen now; that Bush is a maniac”. By the time I got home, the TV was on, and the blown-apart pieces came together.

Breaking news and breaking ground

The very best bit of my time at Wesley College was my involvement with the establishment of a school newspaper, Fullstop. The editorial team consisted of seven people: six of my very best friends and myself. (It’s all about who you know in this country!). Tonight I reminisced over a coffee with David Kearney, then-editor-in-chief about some of the gems that the publication produced. The second issue, released on 26 January, 2004 featured a six-page interview with Graham Norton under the promising headline The Full Norty.

No area of school life was passed over by Fullstop: the controversy about the new swipe card attendance system was neatly summarised by the headline Swipe Strife! and tensions between prefects and non-prefects were explored under the provocative question: Prefects or Defects? My baby was a column on page 3 called The Toilet Wall, which is so full of righteous indignation that it makes me cringe with nostalgia.

Seeing the Woods for the Trees

On Thursday 18 November 2004, Fullstop ran an exclusive interview with the one and only Christopher Woods, after he was announced as the new principal of the college. The headline read Out of the woods and boasted an exclusive “fifteen-minute intensive grilling about Wesley, Africa and the secret to a good education”. Mr Woods mused that “ if I can look back in fifty years time when I’m old and grey and can say that everyone enjoyed their time in school and learned a lot … I’d be a very happy man”. It was a privilege, in my final two years at Wesley College to have a principal so dedicated and so interested in his pupils as individuals. I am sure that Mr Woods, old and grey will be a very happy man.

Now and Then

I studied English literature and Psychology at Trinity College, Dublin and now I spend much of my time at home googling jobs but all I can find are telesales positions requiring proficiency in Dutch. I do a little bit of teaching on the side which I enjoy but if I’m honest, what I really want to do is get paid to write The Toilet Wall. Wesley College inspired me to dream of great things and life since graduation has coupled that entitlement with a dollop of humility. The class of 2006 may have considered themselves the crème de la crème, but many of us are still sorry we ate the plums.

Wesley Women Celebrate 100 years

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I spent the period between 2000 and 2006 in secondary school at Wesley College, Dublin. Wesley is a Methodist school, which takes its name from John Wesley who – as we were taught in our first year – at the age of five survived a fire in a rectory and henceforth considered himself to be “a brand plucked from the burning” and therefore destined to serve God.

Wesley was founded on the first of October 1845 on St Stephen’s Green and on that morning “At 9 o’clock the whole company sat down to breakfast joined by three boarders and nine day pupils. The Revd. Robert Masaroon presided.” In the years since, the annual Founders’s Day Service has commerated this day and the story of the college’s inception is recounted to students gathered together in “Assembly”.

An enormous landmark in the college’s history came in 1911 when the decision was made to admit girls. The significance of the move can be understood when compared to some facts relating to the period: Cambridge University didn’t award full degrees to women until 1947 and women in Ireland weren’t allowed to vote until 1922.

This year, a group of dedciated students under the guardianship of their English teacher, set about to collect the memories and stories of the girls who had passed through Wesley’s doors since 1911. They sent letters and e-mails to all corners of the world and made inquiries online and over the phone.

One such e-mail arrived in my inbox around Christmas time last year. It asked me whether I would contribute to a special book to celebrate 100 years of co-education at the school. Of course I was delighted to do so. My only problem was that when faced with the task of recounting my schooldays I didn’t know where to start and I didn’t know where to end. I managed to string a few thoughts together however and sent them back to the editorial team.

Last week, I attended the book launch. It was held in the National Gallery and was a momentous occasion. I couldn’t believe how many people had come. The expansive entrance hall of the Gallery was packed to the brim and as I looked around I saw many, many faces I did not recognise, but dotted between them, the unchanged appearance of my old teachers, whose mannerisms and expressions have remained constant since my departure.

The book, “Wesley Women” is a remarkable achievement. In all, 87 past pupils contributed. It’s full of amusing stories like girls ‘sealing’ holes in their tights with nail polish and filling balloons with hot water in order to survive the cold boarding house dorms. The earliest contributor left Wesley in 1912 and and there are several contributions from the 1920s and 1930s too. These stories are particualrly valuable as documentation of social and cultural history: Wesley did not live isolated from the world wars, the advent of rock and roll and of course the fight for women’s rights.

I’ll post my contribution later but must add that many of my memories are of people with whom many of you won’t be familiar. Still, I’d love to know, if you had to summarise your school days in 500 words, what would you mention and why?

KateKatharina’s Online Arabic Tutorial

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I wish I could lie to you but I can’t. The Arabic alphabet has 28 letters, a large proportion of which change shape according to their position in the word. A select few are awkward and refuse to join with letters to their left. Many have the same shape when in the beginning or middle of a word but have a different number of dots above or below them. There’s a special symbol to let you know the absence of a vowel sound. In case you were, you know, in doubt.

I’m just back from my second class and am rather disappointed that there has been no opportunity to practise speaking, given that learning the alphabet seems to take an eternity. For this reason, I’m going to teach what I’ve learnt in the way I would have liked to learn it. I’m really not one to say a bad word about teachers (believe me, I’ve a vested interest) but as one of my classmates mumbled after class “she’s awful serious.. she’d want to ligthen up” and of the homework “It’d put you to sleep alright”.

To get us started, watch this. I dare you not to feel a smile creeping uponon your lips.

The only two things you need to remember from this video:
1.That little boy’s adorable voice (Bieber who?)
2.that Arabic has three vowels, which correspond loosely to ‘A’. ‘E’ and ‘U’. They’re a bit like fadas in Irish. For ‘A’ you put a dash above the letter; for ‘E’ below and for ‘U’ its a little sign that looks like a number 9 above the letter. That’s why in the song they sing ‘A, U, E, Be Bu Beey’ etc.

Okay, enough about the alphabet. (For my sake, not yours).

For those of you who don’t know me (I’m looking at the seven people who googled “smail” and were referred to my blog today. Though on second thought, perhaps it was was just one massively enthsiastic malacologist.)

“ismee Kate Katharina”

Say it.

Go on.

Now tell me who you are.

ismee= I

Your name=Your name

Easy Peasy Lemon Squeezy.

Now, Kayf- haluk? How’s life?

I’d hate to pre-empt you but are you feeling fine, thank God? And are you male? Then say this:

Tayeb al-hamdu lelah

Are you feeling fine thank God but worried, because you are female? Then say this:

Tayeba al-hamdu lelah.

Same? Nope. All adjectives (as here ‘fine’) have genders. How do we make an adjective feminine?

Add A.

Hmmm. There’s a problem, isn’t there?

Some of you are not fine. Some of you are tired. Fine. It’s a late blog post. You have an excuse.

Say this if you’re a man:
Ta-ban, which the stress on the ‘ban’.

If you’re female, say….???

Come on, you know this one.

Yes, you got it Ta-ban-a.

I (ismee) really am Ta-ban-na now..

So I guess I should take my leave from you and say

Mass-salama.

Go on, reply to me. It’d be rude not to.

*********************************************************************

PS- Remember ‘share the luv’ on bebo? Well my lovely blogger friend Clariice over at Reise meines Lebens has shared the luv by nominating me for a Liebster blogging award.
I’m not sure if this is an actual award or simply a way to get bloggers to share each other’s work but I’m going to take the opportunity to link you to some blogs that I really enjoy.

1. Comeheretome: UCD history students writing interesting short pieces about cultutal landmarks. They often include scans of really interesting historical documents they have access to. Warning: also write about football.
2. Inside the brain: Love this blog. Irish neuroscientist summarises latest research in his fields in layman’s terms
3.Broadside New York-based writer and author of Malled: my unintentional career in retail writes short, poignant pieces in beautifully crafted prose
4. Kat Richter: Serial-dater from Philadelphia. What more can I say? Addictive and witty.
5. Last but definitely not least: Clariice herself. She writes wonderful poetry in language that I love. It’s totally unique in that it’s sparse but also satisfyingly clunky. Her words are real, soulful and off-beat.

“Hay” there: Arabic shit and how to put your foot in it

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He sighs wistfully. “Ah my dear teacher, you need practise long time!” It’s Tuesday morning, the day after my first Arabic class and I’ve just greeted my student with “kayf halaka” (كيف حالك) or “howeyeah”. It’s not that he doesn’t appreciate my effort, but apparently, my ‘ks’ are too harsh and like most people, I can’t master the breathy ‘H’, which is unique to Arabic. They say it sounds like you’re breathing onto a pair of glasses as if to clean them, but given that I’m blessed with 20:20 vision and that my windows are filthy, it’s something that’s going to take time.

Another girl looks surprised and then disgusted when I say “tibn” (تبن) to her. “Teacher, that not good word”, she says.
“What, why?!” I ask.

I’m a little indignant. After all, it’s in Chapter 1 of Mastering Arabic and it means “hay”. Not the most essential word for a slick city dweller like myself, but on the other hand, it uses the three letters introduced on page 2.

“It not good in Arabic”, she repeats patiently.
A more outspoken classmate chimes in:
“Teacher, it mean shit”.

Oh. So on top of having to read backwards, learn a 28 letter alphabet whose letters change form depending on their position in the word, and bizarre sounds only the visually impaired can achieve, I also have to bear in mind that my precious beginner’s textbook isn’t forthcoming in differentiating between horsefood and horseshit. I love a good challenge I do.

Anyway, some time ago I asked you all to make suggestions for what you’d like to see in my Arabic posts. One loyal and lovely reader suggested more about culture and language, less about politics. I breathed (not the ‘soft, on glasses kind) a sigh of relief. I had appealed in that post for suggestions on a postcard, but stipulated that should I not be considered worthy of a stamp, I would also accept suggestions submitted electronically.

Well, guess what happened. Last Sunday evening, I came home to find a postcard through my door from a magical friend, who happens to have just forsaken me for life in London. She had been clearing out her room and found a postcard from San Francisco which she’d never sent. On her very last afternoon here, she wrote an adorable piece of prose, included a suggestion for my Arabic series, stuck a 55 cent stamp on the postcard, and hand-delivered it. I’ve attached it with a wooden peg to my “poetree”, a cluster of branches which I keep in a pot on my mantlepiece and which I decorate with meaningful paraphenalia.

My Poetree


In honour of the two loyal readers, who together made the response to my request “overwhelming”, I will post a summation of what I have learnt to date after my second Arabic class tomorrow. If you’re really stuck until then, just remember to keep your glasses clean, and to learn how to pronounce “shit” before you put your foot in it.

Page One – Inside the New York Times: The Future of Print Journalism

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Nobody – not even the New York Times is safe from the digital revolution. That’s the message of Page One: Inside the New York Times , a docu-film -showing at the IFI this week, which follows editors and writers at the publication as they respond to falling revenue, new media outlets and the speed of social networking. Most of the scenes come from inside the NYT Headquarters and feature an array of high-strung, high-functioning individuals in front of multiple computer screens, yelling down the phone, exchanging smart comments and looking like they’re about to boil over as individually they compete for space in the publication and collectively fight for their survival.

Footage is taken from between 2008 and 2010 and while there’s no obvious narrative structure, we’re gradually introduced to key figures, like David Carr, staff writer, former crack addict and in-house character. We get a glimpse of the dilemma facing the publication as wikileaks arrives onto the scene and bewilders the world by posting videos of disturbing war scenes on youtube. We get the first reactions (what’s wikileaks?) to the final question over whether collaborating with the Guardian and Der Spiegel to release wikileaks’ wires renders Assange a source or an associate.


Comparisons are made between The Watergate scandal, which broke over the course of a year and a half’s reporting – primarily by Bob Woodward and Carl Bernstein of The Washington Post- and Assagne’s overnight release of a vast quantity of sensitive material for pubic perusal. We get the sense that the source of power is changing: where Woodward and Bernstein relied on the Washington Post to distribute their findings, now The New York Times depends in part on Assange’s willingness to use it as his outlet.

Page One documents the complexity of the relationship between The New York Times and Assange. Granted it’s symbiotic but in comparison to the media landscape of the 1970s a disproportionate amount of power lies with the source. Assagne benefits from the relationship because his material becomes associated with a credible source but The New York Times faces the uneasy task of ‘keeping up’ with a story that’s developing faster than it can be be digested.

Furthermore, we can see how The New York Times is taking a risk with Assange: how can they substantiate a source that describes himself as espousing the “values of activism” over those associated with journalism. What does that even mean?

Page One asks the questions it cannot answer. How can print media sustain itself? How is the role of journalists changing?

Newspapers didn’t predict that advertising revenue would disappear with the rise of the internet. They weren’t ready for the arrival of websites that featured classifieds and for the advent of faster, flashier, funkier outlets like gawker.com.

Things changed fundamentally in about 18 months, an insider tells the camera.

In the course of filming, 100 odd people are let go. The deputy obit editor has been there for over 20 years and takes voluntary leave. The Books and Arts editor seems on the way out too. We watch a teary few words from somebody leaving. Gathered about her are her colleagues applauding numbly. We get a shot of the enormous multi-storeyed newsroom and the tiny cluster of people gathered about the retiring journalist. It’s an image of resilience but the journalists appear tiny amongst their overwhelming surroundings.

The newsroom atmosphere has always been one of high-tension but in Page One we really get a sense of individuals constantly on the verge of boiling over. They’re always nibbling, always minimising windows on their computer screens while firing questions down the phone and gesturing to their colleagues to get things done. Where they excel though is in their attention to getting it right: there’s constant debate over what should go in and at two daily meetings, editors must justify their content. They’re still all about reporting from the ground, and there’s a sober clip of a goodbye party for a young correspondent being sent to Iraq. As the credits roll we find out that he has become chief Bagdhad correspondent.

Page One does a good job of documenting the uncertainty that surrounds The New York Times, along with all other print media. Unconsciously it documents what might be its saving grace – attention to detail, passion, unbrdidled dedication to getting it right and the conviction that a journalist’s place is first on the ground, and then on twitter.

Page One – Inside the New York Times is showing twice daily in the IFI until Friday 29 September.
The NYT HQ: image source: http://www.editorsweblog.org/web_20/2011/07/new_york_timess_second-quarter_results_s.php

Confessions of an economic dunce

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Every weekday morning, I brush my teeth while listening to the business news on Morning Ireland. Once the weather comes on, I know it’s time to spit.

The presenter’s mame is Emma. She sounds very glamourous and by jove, does she know her business. She’s all about credit ratings, bondholders, soveriegn debt and the EU-IMF bailout. In fact, these are some of her favourite things. She interviews chief-executives, London traders and business-market leaders at break-neck speed, firing at them an alarming assortment of questions which I don’t comprehend.

I’m not a scientist or anything, but I think there might be a critical period for developing business accumen. At school, while other students were learning about the stock exchange and interest rates, I was declining Latin nouns and checking out cartoons of Roman boys in togas.

As a result, I simply don’t get economics. When I see images on TV of old men in high-rise glass buildings pouring over computer screens at changing numbers and getting very excited, I just think “huh?”. When people talk about “burning the bondholders” I get a mental image of Shakespeare’s Shylock being burnt at the stake. I’m absolutely baffled that a body with as temperamental a title as Moodys can dictate at a whim the direction of markets values.

As regular readers will know, I’ve some desire to make it in the world of journalism. Back in the day I thought this might involve composing a few witticisms on farcical political characters, or being sent to cover a dull Dáíl debate on fishing quotas. Now, to my horror I’ve discovered that the whole world functions on principles I do not understand. In an attempt to salvage my career prospects, I looked for measures to reduce my deficit.

Oh, how I googled. Oh, how I typed search terms like “bond holders”,and “bailouts” into Wikipedia. Alas, it was like a never-ending economic web, with each explanation containing a further collection of incomprehensible fiscal terms, which in their turn had to be googled.

But then everything changed. I was walking past Trinity last week when something caught my eye. Perched on the top of a lamppost, like a beaming Evangelist was my answer: a poster with the title “Understanding the Euro Crisis”: an invitation to a public meeting on the subject: All Welcome.

A sign from above

It was like a sign from the heavens.

The speakers advertised included Pearse Doherty and Fintan O’Toole. I was sure they wouldn’t let me down. After all, they’re all about bringing it back to the people.

As I left the house last Thursday night I called back “just off to a Sinn Féin meeting. Might be late..” before slamming the door.

There was a spring in my step as I got off the luas and made my way to The Shelbourne. I had brought my notebook with me so that I could jot down key economic terms with which to regale my friends in the future. I felt like a proper journalist.

Outside the Shelbourne, a group of middle-aged Americans was getting ready for an expensive meal in the city. I know this because the ladies were dressed in exquisite skirts with lace trimmings and because the mean were smoking cigars. And because they were outside the Shelbourne.

I approached the doorman who was guarding the rotating glass entrance door.

“Good evening, Madam” he said with a gallant Polish accent.
“Hello there”, I replied, deilghted at his attentiveness. “I’m here for the public meeting”
“The Sinn Féín talk, Madam?”
“Yes indeed”
“I believe it is full, Madam”
I gulped. It could not be.
“Oh what a shame!” I replied, downcast, imploringly.
He paused. “Maybe if you wait a few minutes for people to be seated we may be able to accommodate you”

I beamed. What a sterling human being he was.

As I leaned gracelessly against the railings I watched the traffic that was making its way in and out of the building. Some wealthy Arabs, more loud Americans and some glamourous French. And then a steady trickle of grubby Dubliners in hoodys and jeans. Again and again I heard the phrase “I believe it’s full, Sir”

I became alarmed. After some time I returned to my Polish friend and asked him what my prospects were.

He must have sensed my economic passion. He sighed “You may go in Madam. Turn left at the pillar and enquire there whether you may enter the meeting”.

The Shelbourne Hotel


I almost stumbled in my excitement and as a result briefly got stuck in the rotating door. Once in however I rushed to the attendant by the pillar.
“Excuse me, I was wondering whether there might be space for me in the meeting?
“No, It’s full”.

What. With those three words my heart sank.

My bubble burst, I turned away dejected and slumped out the rotating doors, past the doorman and back to the luas stop.

€3.50 for a return luas fare only to be turned away at the door! What an absolute waste. Needless expenditure. That’s exactly what got us into the mess we’re in.

What are the atrocities of our time?

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Every period of history spits out its horror stories in retrospect: the murder of six million Jews, the abuse of children at the hands of priests and the institutionalisation of political dissenters. We’ve got used to documentaries exposing the trauma of war, neglect and corruption. We expect them like we do the next episode of a soap. It’s a sign of progress of course – though it makes me think about the abuses of today that will make it into the documentaries of tomorrow.

Today it was revealed that a criminal gang in Bedfordshire has been operating a twenty-four men slave work camp at a caravan park. According to British media reports, victims were lured from soup kitchens, benefit offices and hostels. Nine of them (presumably those of slightly higher standing or those suffering from Stockholm Syndrome) have refused to co-operate with police investigations. According to the Guardian, one traveller said that “Plenty of men who were here wanted to be here and they were getting paid”. As if the volition of plenty justified the slavery of a single other.

Last week the abuses of Iraqi prisoners by British army officials was relived in grotesque detail with the publication of the full report.

Tonight the second part of the RTE investigation into the practices going on behind closed doors in state mental institutions was broadcast.

I work in a not-very-nice area of town. Sometimes I see the faces of future documentaries gazing blankly past me, as they cower terrified at the knees of abusive parents, or bend their weary, wizened faces over pint glasses at 8 am, when the early license pubs are ready for their next order.

Last week I watched two families staggering about on the luas platform. Dirty beer cans in hand, the parents drunk and drugged, yelled at each other as they stumbled against empty buggies from which their toddlers wandered aimlessly away. One little boy with huge brown eyes looked at me and I stared back at him, knowing my inevitable complicity was failing him.

The luas doors opened and his parents endeavoured, with clumsy futility to secrete their multiple beer cans at the bottom of their buggy. The injustice of bad parenting – and the audacity to pass judgement on the nuclear family unit – this I believe is the stuff of next generation’s documentaries.

What else, from where you’re standing?

My scrapes with the violin and the crushes that never go away

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When I was young, I learnt to play the violin at the College of Music in Chatham Row, just around the corner from Stephen’s Green. In my later years, it was renamed “The Conservatory” but the Fergusons – staunch Conservatives – continue to refer to it simply as “the College”.

My teacher, a middle-aged eastern European was quirky and sober in equal measure. He was so confident of his methods that he invited parents in to observe his lessons.

Most declined politely: but my mama certainly didn’t. So great was her love for me that every Thursday afternoon for years she endured the hostile scratching of my bow as it glided gracelessly across the four strings to produce sounds that can only be imagined -and excused- when I explain the meaing of: intonation exercises.

Unfortunately the noble purpose of intonation exercises is disguised by their horrendous sound. You see, the thing is: to play violin, you need a pretty good ear. It’s not like piano, where you just bang on a given key to produce a sound. With violin – as with all stringed instruments – you have to find the sound. And in order to do this, you need to be familiar to the very last quarter tone, of the location of each sound on the finger board.

Intonation exercises consist of playing two given notes at once and then slowly, repeadly changing the position of one of your fingers by roughly half a tone up and down to produce a clash which resonates and aims to cement in memory the correct position of your hand. To really make them useful, you have to repeat them over and over and over again….

This level of endurance represents just one of the ways in which my mama is a hero. I could write a pamphlet on her other feats. She deserves at least a series of blogs in her honour.

The best part of Thursdays was right after the violin lesson ended. Mum and I would hurry out into the wind and rain and make ourselves to the newsagent on Camden Street where we treated ourselves to a packet of Sour Cream Hunky Dorey’s each. We kept them in our coat pockets so that we could have a look around the various charity clothes shops on the way home. Sometimes, when mum was looking at blouses in Age Action, I would sneak a crisp or two from her coat pocket, just to be devious.

When we got home, we would have dinner and then get ready for Kommissar Rex. If you know me, you know all about Kommissar Rex. If you don’t you should get informed. Kommissar Rex is a TV series about a detective and his police dog “Rex”, who sleuth around Vienna solving crimes in scenic locations. I’m an enormous fan and the actor that played the detective in my day remains my only celebrity crush. LSB doesn’t like the twinkle that appears in my eye when I talk about Gedeon Burkhard, or indeed the way, when I spotted him playing a minor role in Inglorious Basterds, I nigh jumped from my seat with excitement.

Kommissar Rex is moderately scary and featured a rather disturbing scene of a man trapped in an over-heated sauna which I have never forgotten. When LSB and I were in Vienna, I finally bought the series on dvd. One night, having stocked up on Croatian beer and strawberry cake, we knocked on some Kommissar. I was right back home again, curled up beside my mama, reaping the reward of intonation exercises.

Watching Kommissar in a hostel in Zagreb